Yard-O-Led Viceroy Pocket

I didn’t want to write this review. I feel like it’s going to be one of the few dissenting YOL reviews out there. But the community needs to hear about my experience.

I actually love Yard-O-Led, in principle. I gushed over them in my post on the YOL Viceroy Grand–which is truly a remarkable work of art.

But I also outlined some of the issues I’ve noticed with the company in my post on the YOL Standard.

For context, I recommend reading both of those reviews before continuing.

First, the good: this petite pen is beautiful. Each pen is individually made either on very old machining tools or chased by hand by silversmiths. Because of this, one can see the different styles used by the individual silversmiths–for instance, it’s very obvious that my older Viceroy Grand was made by a different person than the Pocket, even though they are the same pattern.

Detail of the Viceroy Pocket’s finish.
Pocket on the left, Grand on the right. They’re both the same finish, but made by different smiths so they have different character–the patterns and the depth of the strikes are much different. Both are very pretty.

The Pocket is awesome. Delicate. Petite. Painstakingly made with care by artisans.

The tiny size necessitates writing with the cap posted. The pen only fills via short international cartridges officially, but I found that the pen can use a Kaweco slide piston converter if the converter is only filled to about 70-80% capacity. The barrel of the pen cannot accommodate the piston rod when it is fully extended and filled, and reassembling the pen creates a mess when the barrel compresses the tiny piston. Is this hassle worth the 0.4mL ink capacity? That’s up to the user. If it were my one and only pen, I’d just use cartridges.

The finial is polished silver.
The end of the pen is shaped much like the section so the pen can post well.
The pen will fill with the Kaweco mini piston converter, not the squeeze type. It is shown filled as full as it can get without squirting ink all over when reassembled.

This is where my YOL Viceroy Pocket love affair stops. It’s all downhill from here.

The cap is not secure. The pen–like all of YOL’s fountain pens–uses a simple plastic inner cap that engages with a lip on the pen and is subsequently snaps into place. But for whatever reason on my Pocket, the inner cap does not engage very well; in fact, it is downright insecure. Any lateral pressure on the cap, whether posted or in the pocket, causes the cap to dislodge and pop off. This doesn’t sound like a huge deal, but think about all of the times one could conceivably place pressure across the pen when it’s in a shirt pocket–crossing your arms, leaning against a surface, or bumping into something can cause the cap to come lose. Now you’ve got a cap clipped to your shirt and a pen floating around your pocket. Forget about having it rattling around a purse or bag, unless you can find a suitably rigid pouch to keep the pen in. This is obviously a very bad quality for a pocket pen.

Detail of cap and clip. Each pen is serialized, also shown on the clip. Not shown is the exceptionally weak inner cap that does not keep this pen closed.

I have great disdain for Bock nibs. Every nib that I’ve tried that was originally made by Bock, whether on a $20 Kaweco or on this very expensive Viceroy has had some issue and required some level of correction to make it write correctly. The nib on this pen was a disaster out of the box. It came with a very blobby, wet, medium nib that was so unbelievably over-polished that it barely wrote. That nib is now on my Viceroy Standard and had to be corrected by a nibmeister. The nib that is currently on this pen was also so over-polished that it did not function out of the box. Dan Smith ground this nib into an extra fine for me when he was still doing outside work, and now the nib is okay. Dan does magnificent work and the grind is perfect, but I still don’t really like how it writes. It feels like the nib has too much flex but in a weird way, like the tines flex too much radially creating weird, needle-like feedback. It’s an 18k gold nib and it has to be very thin to get this level of softness, which makes the nib feel unpleasantly fragile to me. Flexing this nib would certainly spring it or outright destroy it. There is a reason why the best vintage and modern flex nibs are 14k gold. To counter-act this sponginess, my pen has to be used with a very delicate touch, which might be okay for some users but I don’t like that quality in a pocket pen that is, presumably, intended for hurried jotting. I’ve half-considered finding a generic steel #5 Bock nib and trying that in this pen to see if I like it more.

It’s a lovely nib, and although it was pretty crappy originally it’s since been fixed. It’s a bit too spongy for my tastes, unfortunately.

This pen currently retails for well over $1000. I didn’t pay nearly as much for it when I got mine, but even for what I paid for it it should have wrote well.

edit: Looks like Fahrney’s is carrying some YOL pens again for a much fairer price–no affiliation, and they don’t seem to carry the Pocket model. That’s probably where USA customers will need to go for a YOL pen.

YOL has, historically, been noted for its good customer service but when I emailed them with a question I received a canned response telling me to send the pen back to Birmingham. That’s a solid “meh” from me on the customer service front. Plus they’re not accepting repairs because of the pandemic–I don’t hold that against them for obvious reasons, but it’s something to consider if one is currently trying to decide on a YOL instrument right now. You don’t want to get stuck with an unrepairable dumpster fire of a pen that cost you a whole stack, now do you?

So, there we have it. I love YOL as a company, I really do. I love the company’s story, I love the art they are producing. But I am not a silver rod collector, I am a pen collector, and I can buy a hell of a lot of pen for $1000. Maybe that’s harsh, but I’d point-out that silver still isn’t that expensive as far as precious metals go (the spot price is under $30 per ounce [28 grams], as of this writing.) Compare this price to, say, Nakaya pens that are also produced entirely by hand and undergo lacquering processes that take months and can be found for well under $1000. And their pens are basically guaranteed to write.

It breaks my heart to write this, but I’d pass unless you get a good deal or can get it from a retailer with an outstanding return policy and even then I’d only pull the trigger if you really have your heart set on a Yard-O-Led fountain pen.

edit: I was thinking about this and I am pretty sure I bought the YOL Pocket when the Pound/Dollar exchange rate was very favorable. I wanted to be sure I wasn’t ranting about price increases and stuff that had more to do with geopolitical market shenanigans than it did with the company.

So I checked some historical prices via http://www.archive.org (no affiliation.) The Pocket was around £356 ($500ish) when I bought it in 2017. It is retailing, today, for £900. The Pounds:Dollar exchange rate was 1:1.29 back then compared to 1:1.39 as of today. It wasn’t the exchange rate that sent these products from expensive but obtainable to laughably exorbitant.


  • I mean, just look at it.
  • In the hand, it is quite comfortable to hold and well balanced. The proportions are very nice. It has all of the trappings of a fantastic pen, but. . .


  • . . .for the price, YOL has alarmingly unacceptable quality assurance. For what I paid for this pen I was pretty disappointed. If I’d paid today’s MSRP I would have been outraged.


If you are in the market for a pocket pen, get literally any other pocket pen. On the inexpensive side, consider:

  • Kaweco Sports and Liliputs are bombproof. Their nibs usually need some tinkering but Bock seems to bork cheaper nibs less often, for some reason.
  • PenBBS 471 is a great pocket pen.
  • I find the Luoshi 358B a charming pen, and they work well for the price. One can buff the paint off pretty easily if you aren’t into the cigarette look.
  • Sheaffer Balance Juniors are fantastic pens. I recommend this one if looking for a flexy pocket pen–just make sure you find one with a “Junior” nib as the rest are not flexible at all.
  • Pilot E95s. Easily one of the best sub-$150 pens out there–possibly in the top 10 of the sub-$300 category–pocket pen or not. At least in my opinion. Really any vintage Japanese pocket pen by Pilot, Sailor, or Platinum could also work. This style of pen is a bit larger than European-style pocket pens, but they follow the same general concept of being small when capped and bigger when uncapped.

High-end pocket pens are somewhat difficult to come by, but for a more premium pocket pen look for:

  • Aurora Optima Mini.
  • Montblanc 114 Mozart.
  • The now-discontinued Pelikan m300.
  • The now-discontinued Delta Dolce Vita Mini, but watch-out for that Bock nib.

If you are in the market for a Yard-O-Led, I recommend the Viceroy Standard over the Pocket because the cap is far more secure, but even the Viceroy Grand isn’t that high of a premium over the Pocket model. Personally I would have gotten the Viceroy Pocket ballpoint and used Uniball Jetstream D1 refills with it had I known that I’d dislike the fountain pen so much.


  • Cap:
    • Pop-top.
    • Posts.
  • Nib:
    • *shudders*
    • Available in Fine and Medium. Maybe Broad, but after a cursory search I couldn’t find any for sale in Broad as of this writing.
  • Body:
    • Hand-chased sterling silver.
    • Shown the Victorian finish, also available in Barleycorn.
  • Filling System:
    • Officially Standard international short cartridge only.
    • Kaweco mini piston converters can be made to work but only hold a tiny bit of ink. Squeeze-type Kaweco converters did not work for me in this pen and created an inky mess.
    • I am willing to bet that one of these minuscule Templar Ink mini converters would work, too (no affiliation). I’ll update here if I’m ever enterprising enough to buy ridiculously small converters to try in a pen I don’t really care for that much.
  • Length:
    • Capped: 110mm
    • Uncapped: 95mm
    • Posted: 127mm
  • Weight:
    • Total: 28g
    • Pen: 20g
    • Cap: 8g
  • Section Diameter:
    • 10mm
Top to bottom: Pocket, Standard, Grand, capped.
Top to bottom: Pocket, Standard, Grand, uncapped. The pen isn’t really big enough to be used like this.
Top to bottom: Pocket, Standard, Grand, posted.
With Kaweco Sport.
With Kaweco Sport.
With Kaweco Sport.

Yard-O-Led Viceroy Standard

I’m reviewing this pen through the lens of its current price for the sake of people considering purchasing it. This review would read much differently if YOL’s fountain pen prices hadn’t tripled over the past three years.

See my YOL Viceroy Grand Post for more information on the company. I gushed over YOL, how neat the company is, and how cool the Viceroy Grand is.

First, the good: the Standard is a classy pen and it’s a much more usable size than the Viceroy Grand. To me, this is the most practically sized fountain pen in YOL’s lineup. The Barleycorn finish is very nice and pleasant to the touch without being garish like the Victorian finish. I really like this pen.

It’s ridiculously skinny but long enough to accept standard international cartridges and converters–the user can even piggyback two short cartridges or utilize long international cartridges for maximum ink capacity in a relatively compact package. The pen works posted or unposted, but I like to post mine.

Standard international converter, long cartridge, or short cartridge. The user may place a second short cartridge tandem in the pen’s barrel. I added the o-ring on the converter’s knob just so it doesn’t make click on the inside of the barrel.

Unfortunately, I had issues with the pen. The nib, for starters, was a mess out of the box–over-polished to the point of barely working. It was a skippy, unpleasant disaster. I eventually sent it off to a nibmeister because of how awful it was. Bock strikes again. Also the cap is weirdly loose and the o-ring that prevents the section from unscrewing from the pen was absent. Those last two points are a bit nit-picky, and had the nib not been a disgrace out of the box, I may very well have overlooked them.

Technically, the nib on this pen didn’t come on the Standard out of the box–I switched my Standard’s nib with my Pocket model’s nib. Fear not, dear reader, for Bock had messed both of the nibs up, requiring professional help and marring my opinion of both pens forevermore. The Bock nibs on this pen and its little cousin were the final straw for me: I no longer buy pens with Bock nibs on them with rare exceptions and tell anyone who will listen that Bock nibs have serious quality control problems. Lamy, Pelikan, Montblanc, Aurora, Pilot, Sailor, Platinum, Ancora, Santini, Waterman, and Parker have figured out how to make nibs. Bock’s main competitor JoWo makes nibs that work. It’s pretty easy to get a $2 pen from China or India that works out of the box. Yet Bock nibs don’t, even on pens that cost hundreds of dollars.

YOL does have a great warranty and good customer service, in their defense, but I didn’t want to pay shipping back to the U.K. when there are great nibmeisters here in the U.S.

This brings me to the price of the Standard. When I bought mine in 2017, it cost right around £320, or around $400. That’s an acceptable price to me–if the pen worked–we are talking about handmade, sterling silver pens with 18k gold nibs, after all. But as of this writing, the Standard’s MSRP is well over £800, or around $1100. One may be able to shop around a bit and get it a bit cheaper–maybe even under $1000.

edit: Looks like Fahrney’s is carrying some YOL pens again for a much fairer price–no affiliation. That’s probably where USA customers will need to go for a YOL pen.

Hallmarks, left to right: YOL maker’s mark, 925 Sterling, 925 Sterling, Birmingham Assay Office, England, 2017 date code.

I mean, this pen is fantastic. $400 plus maybe $50 for nib work is pretty tolerable, especially considering YOL’s reputation, history, and eye for detail. But for $1100? No way in hell. Well, maybe if it wrote flawlessly out of the box, but that’s a very, very big maybe. This isn’t even the model that is chased by hand–the Victorian finish is more expensive. Even the price of the YOL Viceroy Grand has gone up by £77 from a year ago. For the record, YOL’s ballpoints and pencils, which I assume are their bread and butter, have not really increased in price to match their fountain pens, and Bock nibs surely don’t justify a 500 pounds sterling increase in price, so I don’t actually know what their deal is. Weirdly, the YOL pens exclusive to Smythson of Bond Street are significantly cheaper than their other finishes. Who’s coming up with these prices?

I really didn’t like writing this review. I hated it. I don’t want to slam YOL because I think the company is charming and making works of art. Yard-O-Led is still in my top five favorite pen makers. But I really, truly cannot recommend the Standard in good faith at its current price–and I’m quite fond of it.


  • Very pretty.
  • Nice size, well balanced.


  • Too expensive, for what it is.
  • The cap is loose.
  • The thing barely wrote out of the box.



  • Small 18k YOL-branded Bock nib.
  • Fine, Medium, and Broad available.
  • Writing sample done with a nib that was originally a Medium but ground to a Fine.


  • Hallmarked Sterling Silver.
  • This pen is the Barleycorn finish.
  • Plain, Victorian, and (Smythson of Bond Street exclusive) Pinstriped finishes are available.

Filling system:

  • Standard international cartridge converter.
  • The pen has enough room to perfectly piggyback two short cartridges or accept a long international cartridge.


  • Capped: 141mm
  • Uncapped: 124mm
  • Posted: 156mm


  • Total: 31g
  • Pen: 20g
  • Cap: 11g

Section diameter:

  • 8-9mm
Top to bottom: Pocket, Standard, Grand, capped.
Top to bottom: Pocket, Standard, Grand, uncapped.
Top to bottom: Pocket, Standard, Grand, posted.

Yard-O-Led Viceroy Grand

This pen hardly needs an introduction.

This is the YOL Viceroy Grand in the impressive Victorian finish and it is borderline ridiculous.

It’s handmade from solid sterling silver and carries a price tag matching its name. The Viceroy Grand is eccentric, yet refined–this an elegant pen that makes a statement.


I love silver and I had to have this pen for my obnoxious oversized pen collection. The Viceroy Grand is massive–the pen itself weighs 46 grams and is 140mm long. It posts, too–quite well, I might add–making for a pen that is 175mm long and 64 grams. I don’t post it, but I could.

Shown here with its massive brethren.

Yard-O-Led is a charming company with a neat story. Their writing instruments are, impressively, made by hand by artisans in England largely in the same way they were made 100 years ago–although fountain pens are a relatively modern addition to their lineup. The company started-out making mechanical pencils and sold their pencils with a yard of “lead” refills, hence the name “Yard-O-Led.” Because they are handmade, no two are exactly alike–the gentlemen who worked at YOL when my Viceroy Grand was made have both retired, and its finish is much different than my newer Viceroy Pocket that was made by a younger smith, presumably an apprentice to the older guys. Looking at two pens and being able to tell that they were obviously created by two unique artists is a special experience. Viceroy Grand pens are available in the Victorian finish, as shown, a barleycorn finish, and a pinstripe finish that is a Smythson of Bond Street exclusive, but only the Victorian finish is completely hand chased.


The nib is a YOL branded 18K #6 Bock nib. I’ve already said all I have to say about Bock nibs in this post. What I will say about the nib on this pen is that I didn’t have to do a lot of deBocking to get it writing properly–it was just a little dry out of the box for my taste, but completely acceptable. It fills with a standard international converter and there is plenty of room in the barrel for a long international cartridge or a spare short international cartridge, if desired.


The most problematic part of this pen is the price. The street price for a new Viceroy Grand is right around $1500 right now, which is quite a bit more than what I paid for mine back in the day. Would I buy it again, even after the price increase? Hell yes. I was doing some window shopping and trying to mentally figure-out how to wriggle $1500 into my budget as I was writing this. Keep in mind, this isn’t some plastic, mass-produced pen–this is a serious hunk of silver, for one, but the reality is that buyers are getting these pens for the artistry. The Viceroy Grand is functional art.

edit: Looks like Fahrney’s is carrying some YOL pens again for a much fairer price–no affiliation. That’s probably where USA customers will need to go for a YOL pen.

Left to right-hallmarks, maker’s mark, hallmarks, anchor indicating Birmingham Assay office, Lion indicating English sterling, and the date code–in this case, 2016.

As far as I can tell, there are no North American retailers that carry YOL, so potential buyers are limited to ordering directly from the U.K. I’ve bought all of my YOL pens from The Writing Desk (no affiliation) and I can recommend them wholly. I will also caution potential buyers: normally, we don’t have to mess with import duties into the United States, but if you have a package with over $1000 of silver and gold coming at you, expect to pay a little bit (I think my bill was $35 last time I ordered YOL pens, which still isn’t too bad).

The Pocket and Standard Viceroy pens are pretty cool, too, and I’ll review them later, but the Viceroy Grand is a whole different level of pen and completely unique. I urge every fountain pen user to seek one out, if just to hold it.


  • I mean, look at it.


  • Certainly not for everyone.
  • Very expensive and getting more expensive.
  • Bock nibs have horrid quality assurance–beware of over polished nibs.
  • Pretty much only available from retailers in Europe.


  • Cap:
    • Snap cap that snaps to post.
  • Nib:
    • 18k #6 nib.
    • Fine, medium, and broad only.
  • Filling System:
    • Standard international cartridge/converter with international long cartridge compatibility.
    • Capacity is 0.8mL when filled via converter.
  • Length:
    • Capped: 150mm
    • Uncapped: 140mm
    • Posted: 175mm
  • Weight:
    • Total: 64g
    • Cap: 18g
    • Pen:46g
  • Section diameter:
    • 11-13mm
Size comparison with Safari, Pelikan m1000
Size comparison with Safari, Pelikan m1000
Size comparison with Safari, Pelikan m1000